Auditions at Carteret Community Theatre
The Play That Goes Wrong
Auditions
Directed by Michael Tonner
Often described as a mix of Monty Python and Sherlock Holmes, this “play-within-a-play” follows a hopelessly devoted cast as they battle through technical failures, knocked-out leading ladies, and forgotten lines to reach their final curtain call. As the disasters compound, the performance devolves into sheer, side-splitting chaos where surviving the night becomes the ultimate goal
Audition Details
Date: Saturday, August 15th
Time: 10:00am (scheduled time slots)
Location: Atlantic Beach Performance Space
1010-27 W. Ft Macon Rd.
Atlantic Beach, NC
Auditions are by appointment only.
You must complete the audition form to be considered. Selected applicants will be contacted via email with a scheduled audition time.
Audition Sides will be avaialbe soon. Please check back here for updates and any additional audition information.
Character List and Breakdowns
The Cornley Polytechnic Dramatic Society presents ‘Murder At Haversham Manor’, and everything that could go wrong does.
This is a fast-paced, physically demanding and amazingly funny show. We are looking for physically adept performers with great comic timing who can remain anchored to the scene while it falls apart and they fall down; and, who can, when things go wrong, react –often at the same time–as their character in ‘Murder’, as the Cornley actor playing that character (who maybe missed a few too many rehearsals) and as part of the ‘Murder’ ensemble some of whom can see the train wreck coming and some of whom remain oblivious or too comfortable in their own ego to either notice or care.
Most roles require varying amounts of crawling, climbing, lifting, running, prop juggling and yes, falling. There is also a sword fight and some hand-to-hand combat
If you’re familiar with the show, please know that at all times, performer and crew safety will be prioritized. Part of that safety margin will come as the result of frequent rehearsal of the most physically challenging parts of the script.
Except for Annie and Trevor, British accents are required for all characters.
Being in this show will possibly be the most fun you’ve ever had on stage.
Character Descriptions:
CHRIS, Cornley director and portraying Inspector Carter in “The Murder at Haversham Manor,” faces the biggest night of his career. Rigid and tightly wound, he is determined to succeed even as everything around him falls apart. No doubt deeply in character backstage, he is unlikely to know how bad the show has gone before his entrance, but he’ll catch up quickly. How he manages to carry on as ‘Director’ and ‘Inspector’ is one of the great joys of this role. Ideally not physically arresting in appearance.
Age range 30-60
Physically demanding
Comfortable on the 7′ platform
JONATHAN, portraying Charles Haversham in ‘Murder ’, believes himself suave and charming with a strong physical presence, and he may well be. The actor should have fun finding the balance where his belief meets reality (even while playing a dead man) and how that affects his performance as things go wrong. His ill-timed entrances with a gun can be one of the highlights of the show.
Physically demanding
Comfortable on the platform
May require a controlled fall from height
Age range 30-60
ROBERT as Thomas Colleymoore in ‘Murder’ aspires to greatness, employing what he is sure is a Burton-esque stage presence. He has never met a line he could not overread. He is embroiled in a leadership rivalry with Chris, yet is unconcerned about the chaos that may cause off stage and maybe not above using it on stage.
Physically demanding
Arresting vocals
Comfortable on the 7′ platform
Age range 30-60+
DENNIS portraying Perkins the butler in ‘Murder’ is new to the stage and likely unfit for it. He struggles with lines and pronunciation and seems unable to recognize whether people are laughing with him or at him. He’s drawn to Cornley in the hope of making friends but his inability to match his fellow actors’ modest abilities and immodest egos would seem to doom that.
Somewhat physically demanding
Comfortable on the 7′ platform
Age range 30-50
SANDRA, taking the stage as Florence Colleymoore in ‘Murder ’, has always secured lead roles– sometimes just by showing up. She is vain and possesses a huge ego, remaining convinced of her unmatched talent within the company. But it is a talent that is definitely not up to dealing with things when they ‘go wrong’. Desperately hanging on to her fast-receding ingénue status, as things fall apart, she is left to rely on her ambition and ego to make it through the scene. The actor in this role will have fun figuring out where\when and how to reveal her insecurities to keep the audience sympathetic.
Very physical role.
Actor will appear in less than full costume with some sort of underwear revealed.
Actor needs to be comfortable being in an enclosed box for up to 5 minutes.
Age range 20-40
MAX steps into his first roles as Cecil Haversham and Arthur the Gardener in ‘ Murder’ with no prior acting experience. He initially attempts to follow directions with little understanding of them. Over time, after he discovers the power of getting a laugh, however unexpected or deserved, it leads him to directly engage with the audience, and eventually Max finds that having to play a character in ‘Murder’ is a bit of a bother.
Age range 20-40
TREVOR, the lighting and sound operator for ‘Murder ’, unexpectedly finds himself in the spotlight. As a tech, he’s bored, entertains a strong dislike of actors, is easily distracted, and is only barely competent. But when suddenly required to act, briefly taking on the role of Florence, he quickly finds himself in way over his head with no way out.
Physically demanding
Age range 20-60
ANNIE, as the Cornleys’ stage manager for ‘Murder ’, is a challenging role. Initially working behind the scenes trying to solve an unlimited supply of problems, she is unexpectedly and unwillingly brought on stage as Florence with book in hand. Unlike Trevor, she adapts and finds her true calling and, in a brilliant turn, is determined that no one will take it away from her.
Very physical role.
Age range 20-40
What to Prepare
Singing
Prepare a song in its entirety. This may be from the show if you choose. Choose something that highlights your vocal range and storytelling ability.
Important:
If auditioning for Beverley or Hannah, prepare Me and the Sky in its entirety.
Acting
Prepare a 1-minute monologue, performed two different ways using two different accents. We are looking for versatility and your ability to embody multiple characters.
Movement
You will be taught a short group movement combination during auditions. This portion is more about potential than precision, so bring energy and be ready to participate.
What to Expect
10-minute individual audition slot
20-minute group movement session
Your audition will be recorded for casting review
A bluetooth speaker and phone connection will be available
You will be notified if callbacks are required
Final cast will be contacted by phone on May 17
Unsuccessful auditionees will be notified by email
Rehearsal & Performance Schedule
Mandatory Workshop
May 30 | 12:00 PM – 6:00 PM (Dinner provided)
Rehearsals
June through September
Typically evenings on Tuesdays, Thursdays, and alternating weekends
Schedule may adjust with advance notice
Stage Week
August 23 – September 5
Tech Week
September 6 – 10
Performance Dates
September 11–13
September 18–19
Important Commitment Note
Full availability is required for all rehearsals, tech week, and performances.
If you have conflicts, your role may be understudied.
Understudies will perform all matinee shows.
Content Notice
This production centers on the aftermath of the 9/11 attacks.
While no violence is shown, the script includes:
- References to tragedy, loss, and missing persons
- Racism (including Islamophobia and racial profiling)
- Mild to strong language
- Alcohol use
- Death of an animal
Roles Overview
All performers will play multiple roles as part of the ensemble.
Key roles include:
Claude & others
Mayor of Gander, strong community leader
Bonnie & others
Head of the SPCA, determined and outspoken
Beulah & others
Community figure offering support and strength
Oz & others
Local constable, resourceful and quirky
Janice & others
Young reporter navigating a major story
Beverley & others
Pilot facing a life-changing moment
Diane & others
Emotional journey from fear to freedom
Nick & others
English engineer whose life shifts unexpectedly
Kevin T & others
Driven leader inspired by generosity
Kevin J & others
Complex, conflicted partner
Bob & others
New Yorker whose perspective evolves
Hannah & others
Mother waiting for news of her son
Contact
For questions, please reach out:
nic@carteretcommunitytheatre.com
christine@carteretcommunitytheatre.com
Audition Form
Fill out the audition form to be considered. You will receive your audition time via email.
Ready to Audition?
Submit your form and take the next step toward being part of this production.
